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Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt.,

IT was a gray, cold day, unusual for May, the kind of day that accords with ill-nature. It reminded Billy of the incident of the opera when Rain and Storm, driven by his own insistence, had blown in on the stage quite out of season, and dragged off with them the remnants of winter. For the first Sunday since May Nell’s coming he took his wheel after dinner and went off alone. He was in accord with the sullen sky and air. In the morning he had answered his mother angrily; because Bouncer wished to play instead of coming through the gate when called, Billy had slammed it on his tail, knowing well that in a happier mood he would have been more careful.,

Later in the evening, as Isobel moved about the drawing-room in a flounced white frock, her shimmering hair falling over her shoulders, and her dainty high-heeled silver-buckled shoes skimming the roses on the carpet, Moses’ eyes followed her in wonderment. Never before had he seen a creature so dainty, so airy, and so altogether like a princess. Betty was just plain Betty, straight hair plaited stiffly and tied with red ribbon, tanned face and hands, and big brown eyes “looking like they loved everybody.” But here was a girl who could turn disdainful hazel eyes on one and could make one feel like an ignoble worm. Somehow Moses liked feeling like a worm, Isobel Crump was so immeasureably above him that he might as well feel like a worm as like any other more noble inhabitant of this terrestrial globe.,

Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor.

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But he was not to be hindered. “It’s only a scratch, mother; you can fuss it up all you want to later; but you mustn’t stop me now!” He pulled away from her and bounded up the path.,

“How in the name of orl the aporstles did that hen git in there?” questioned Mrs. Wopp.,

“Here you, Moses,” shouted his mother from the top of the stairs, “I heerd the pantry door squeakin’, no eatin’ till the job’s done.” She further informed him that stopping to eat “et inter his time too much an’ the work must be done afore dark.”,

“Flash has cake, Sir Thomas cheese,” Edith explained, giving each his coveted bit. They took the morsels from her fingers, ate them delicately, and mewed once. “That’s ‘Thank you,’” Edith interpreted.